A disciplined and architecturally resolved mid-century modern art glass vase, executed circa 1960–1969, defined by its elongated cylindrical silhouette, deeply fluted vertical optic ribbing, and controlled steel-blue tonality that modulates from cool smoke to pale ice under shifting light.
The form is decisively architectural — tall, weight-balanced, and rhythmically structured. The optical ribs are sharply articulated and evenly spaced, creating a prismatic interplay of light that elongates the profile and produces a cathedral-like internal refraction. This is precision mold-blown production of a high order, not studio improvisation. Wall thickness is consistent, the geometry is disciplined, and the base integration is deliberate and refined.
The subtly scalloped and flame-finished rim is period-correct to late 1950s–1960s European production, a finish widely favored before later decades shifted toward sharply cut or intentionally raw lips. Under magnification, the surface reveals a fine, even micro-texture consistent with mid-century mold casting and controlled cooling cycles, rather than later studio polishing techniques.
The cool steel-blue palette aligns strongly with postwar Scandinavian and Central European modernist glass traditions, where subdued architectural hues replaced the saturated jewel tones of earlier decorative periods. The absence of a pronounced pontil and the presence of a thick, seamlessly integrated base further support high-quality factory art glass manufacture.
Comparative parallels can be drawn — cautiously and without speculative attribution — to Scandinavian and Central European glasshouses active during the 1960s, including production languages seen in Sweden, Germany, and Czechoslovakia. The vase remains unmarked, and no direct maker claim is asserted.
Attribution & Period
European industrial art glass
Circa 1960s
Unmarked
Dimensions & Weight
Height: 9 in
Mouth Diameter: 2.5 in
Base Diameter: 2.25 in
Weight: 1.06 lb
Condition
Excellent vintage condition.
No chips, cracks, or repairs observed.
Minor internal striations and subtle surface variations consistent with original mold-blown manufacture and age. No structural issues.
Authenticity & Construction
Mold-blown art glass with vertically integrated optic ribbing.
Flame-finished scalloped rim.
Thick, polished, integrated base with no pronounced pontil scar.
Color achieved through controlled batch pigmentation, not surface staining.
Placement
A refined vertical accent suited for architectural interiors, Scandinavian modern environments, or restrained contemporary spaces. Works equally as a standalone sculptural object or as a tonal anchor within a curated glass grouping. Particularly effective in natural light where rib geometry amplifies reflection and shadow.
STANDARD ATTRIBUTION & VALUE DISCLOSURE
This piece is described to the best of current scholarly and market knowledge. Any maker or regional attribution is based on visual analysis, materials, construction techniques, and documented stylistic comparisons. As with many vintage and antique glass objects, definitive attribution may not be possible without original labels or factory records. Pricing reflects condition, quality, decorative appeal, and current collector demand rather than a guaranteed maker identification.
A disciplined and architecturally resolved mid-century modern art glass vase, executed circa 1960–1969, defined by its elongated cylindrical silhouette, deeply fluted vertical optic ribbing, and controlled steel-blue tonality that modulates from cool smoke to pale ice under shifting light.
The form is decisively architectural — tall, weight-balanced, and rhythmically structured. The optical ribs are sharply articulated and evenly spaced, creating a prismatic interplay of light that elongates the profile and produces a cathedral-like internal refraction. This is precision mold-blown production of a high order, not studio improvisation. Wall thickness is consistent, the geometry is disciplined, and the base integration is deliberate and refined.
The subtly scalloped and flame-finished rim is period-correct to late 1950s–1960s European production, a finish widely favored before later decades shifted toward sharply cut or intentionally raw lips. Under magnification, the surface reveals a fine, even micro-texture consistent with mid-century mold casting and controlled cooling cycles, rather than later studio polishing techniques.
The cool steel-blue palette aligns strongly with postwar Scandinavian and Central European modernist glass traditions, where subdued architectural hues replaced the saturated jewel tones of earlier decorative periods. The absence of a pronounced pontil and the presence of a thick, seamlessly integrated base further support high-quality factory art glass manufacture.
Comparative parallels can be drawn — cautiously and without speculative attribution — to Scandinavian and Central European glasshouses active during the 1960s, including production languages seen in Sweden, Germany, and Czechoslovakia. The vase remains unmarked, and no direct maker claim is asserted.
Attribution & Period
European industrial art glass
Circa 1960s
Unmarked
Dimensions & Weight
Height: 9 in
Mouth Diameter: 2.5 in
Base Diameter: 2.25 in
Weight: 1.06 lb
Condition
Excellent vintage condition.
No chips, cracks, or repairs observed.
Minor internal striations and subtle surface variations consistent with original mold-blown manufacture and age. No structural issues.
Authenticity & Construction
Mold-blown art glass with vertically integrated optic ribbing.
Flame-finished scalloped rim.
Thick, polished, integrated base with no pronounced pontil scar.
Color achieved through controlled batch pigmentation, not surface staining.
Placement
A refined vertical accent suited for architectural interiors, Scandinavian modern environments, or restrained contemporary spaces. Works equally as a standalone sculptural object or as a tonal anchor within a curated glass grouping. Particularly effective in natural light where rib geometry amplifies reflection and shadow.
STANDARD ATTRIBUTION & VALUE DISCLOSURE
This piece is described to the best of current scholarly and market knowledge. Any maker or regional attribution is based on visual analysis, materials, construction techniques, and documented stylistic comparisons. As with many vintage and antique glass objects, definitive attribution may not be possible without original labels or factory records. Pricing reflects condition, quality, decorative appeal, and current collector demand rather than a guaranteed maker identification.
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