This exceptional lacquered wooden charger tray exhibits a striking graphic presence, defined by its high-gloss black finish and vibrant polychrome decoration. The perfectly circular form functions beautifully as a captivating tabletop centerpiece, an editorial styling asset, or an architectural wall-mounted statement piece. Light reflects smoothly across the polished lacquer surface, highlighting the deep, mirror-like depth of the dark ground against the luminous quality of the hand-painted botanical motifs. The stylized arrangement of berries and blossoms introduces an organic yet highly ordered decorative rhythm to sophisticated contemporary and traditional spaces alike.
Attribution & Period
Unmarked decorative arts example, stylistically aligned with the Ukrainian Petrykivka school of folk painting, circa 1970s. The piece demonstrates characteristic perekhidnyi mazok (transitional brushstroke) techniques within the vibrant Viburnum (*Kalina*) berry clusters and delicate floral elements, a hallmark of mid-to-late 20th-century Eastern European master lacquerware. The remarkably light weight of the piece points directly to a hand-turned linden wood (basswood) substrate, which was the historically preferred medium for regional master turners due to its fine, uniform grain and exceptional dimensional stability under heavy lacquer applications.
Dimensions & Weight
Condition
Clinical vintage condition. A faint, stable hairline surface crack is present along the underside base rim, along with a minor superficial scratch to the lacquer on the central reverse. Faint, negligible surface abrasions exist on the face, entirely consistent with light handling and age. Remnants of a vintage paper gallery label remain on the center reverse. The hand-painted composition remains remarkably crisp, vibrant, stable, and entirely intact under the original glaze.
Authenticity & Construction
This charger is masterfully hand-turned from a single block of premium linden wood, selected for its lightweight characteristics and natural resistance to warping. The turned form was meticulously seasoned, primed, and coated in multiple foundational layers of rich black lacquer. Master artisans then executed the complex botanical decoration entirely by hand using traditional fine-tipped brushes. The complete composition is sealed beneath a clear, high-gloss protective over-lacquer, ensuring the deep, saturated pigments remain preserved in collector-grade quality.
Placement
This piece is ideally suited as a focal decorative object resting on a minimalist travertine console table, styled within a curated mid-century modern étagère, or displayed flat as part of an elevated transitional tablescape in a high-design penthouse or estate interior.
STANDARD ATTRIBUTION & VALUE DISCLOSURE; This piece is described to the best of current scholarly and market knowledge. Any maker or regional attribution is based on visual analysis, materials, construction techniques, and documented stylistic comparisons. As with many MCM and antique design objects, definitive attribution may not be possible without original labels or factory records. Pricing reflects condition, quality, decorative appeal, and current collector demand rather than guaranteed maker identification.
This exceptional lacquered wooden charger tray exhibits a striking graphic presence, defined by its high-gloss black finish and vibrant polychrome decoration. The perfectly circular form functions beautifully as a captivating tabletop centerpiece, an editorial styling asset, or an architectural wall-mounted statement piece. Light reflects smoothly across the polished lacquer surface, highlighting the deep, mirror-like depth of the dark ground against the luminous quality of the hand-painted botanical motifs. The stylized arrangement of berries and blossoms introduces an organic yet highly ordered decorative rhythm to sophisticated contemporary and traditional spaces alike.
Attribution & Period
Unmarked decorative arts example, stylistically aligned with the Ukrainian Petrykivka school of folk painting, circa 1970s. The piece demonstrates characteristic perekhidnyi mazok (transitional brushstroke) techniques within the vibrant Viburnum (*Kalina*) berry clusters and delicate floral elements, a hallmark of mid-to-late 20th-century Eastern European master lacquerware. The remarkably light weight of the piece points directly to a hand-turned linden wood (basswood) substrate, which was the historically preferred medium for regional master turners due to its fine, uniform grain and exceptional dimensional stability under heavy lacquer applications.
Dimensions & Weight
Condition
Clinical vintage condition. A faint, stable hairline surface crack is present along the underside base rim, along with a minor superficial scratch to the lacquer on the central reverse. Faint, negligible surface abrasions exist on the face, entirely consistent with light handling and age. Remnants of a vintage paper gallery label remain on the center reverse. The hand-painted composition remains remarkably crisp, vibrant, stable, and entirely intact under the original glaze.
Authenticity & Construction
This charger is masterfully hand-turned from a single block of premium linden wood, selected for its lightweight characteristics and natural resistance to warping. The turned form was meticulously seasoned, primed, and coated in multiple foundational layers of rich black lacquer. Master artisans then executed the complex botanical decoration entirely by hand using traditional fine-tipped brushes. The complete composition is sealed beneath a clear, high-gloss protective over-lacquer, ensuring the deep, saturated pigments remain preserved in collector-grade quality.
Placement
This piece is ideally suited as a focal decorative object resting on a minimalist travertine console table, styled within a curated mid-century modern étagère, or displayed flat as part of an elevated transitional tablescape in a high-design penthouse or estate interior.
STANDARD ATTRIBUTION & VALUE DISCLOSURE; This piece is described to the best of current scholarly and market knowledge. Any maker or regional attribution is based on visual analysis, materials, construction techniques, and documented stylistic comparisons. As with many MCM and antique design objects, definitive attribution may not be possible without original labels or factory records. Pricing reflects condition, quality, decorative appeal, and current collector demand rather than guaranteed maker identification.
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