A quietly luxurious English pressed-glass bowl in a warm rose-pink tone, finished in a soft satin texture and wrapped with moulded roses in low relief. The scalloped rim and thickened lip give it the visual weight of a decorative object rather than tableware—ideal as a curated accent on a console, vanity, or cocktail table.
Attribution & Period
Attributed to Bagley & Co. (The Crystal Glass Company), Knottingley, Yorkshire, England, this piece dates to the Art Deco period, most likely circa 1930s, though a broader 1930s–1950s range remains possible without a confirmed pattern match, and bears a molded “BAGLEY” mark to the underside, indicating factory production rather than an individual maker.
Artist note: this is manufacturer-marked (Bagley) rather than individually signed. Bagley did commission notable designs (e.g., Alexander Hardie Williamson for specific registered patterns),
Dimensions & Weight
Height: 1 7/8 in (4.76 cm)
Diameter: 6 in (15.24 cm)
Base diameter: 4 in (10.16 cm)
Weight: 0.662 lb (approx. 300 g)
Condition
Reported excellent condition: no cracks and no visible scratches noted. Recommend stating: minor base wear consistent with age/handling (standard for pressed glass).
Authenticity & Construction
Pressed glass, moulded in relief (rose blossoms and foliage) with a matt/satin finish that Bagley produced in large runs alongside clear examples, often in pastel colours including rose pink.
This piece is factory-marked “BAGLEY” in the mould, consistent with authentic Bagley production.
Placement
Designed to function as both object and accent, it sits effectively on a lacquered console as a colour note against dark wood or stone, within a dressing-room vignette as a refined objet d’usage for jewelry or scent cards, or in a display cabinet alongside British interwar glass such as Bagley, Davidson, or Sowerby for a cohesive period-forward grouping
STANDARD ATTRIBUTION & VALUE DISCLOSURE; This piece is described to the best of current scholarly and market knowledge. Any maker or regional attribution is based on visual analysis, materials, construction techniques, and documented stylistic comparisons. As with many vintage and antique glass objects, definitive attribution may not be possible without original labels or factory records. Pricing reflects condition, quality, decorative appeal, and current collector demand rather than a guaranteed maker identification.
A quietly luxurious English pressed-glass bowl in a warm rose-pink tone, finished in a soft satin texture and wrapped with moulded roses in low relief. The scalloped rim and thickened lip give it the visual weight of a decorative object rather than tableware—ideal as a curated accent on a console, vanity, or cocktail table.
Attribution & Period
Attributed to Bagley & Co. (The Crystal Glass Company), Knottingley, Yorkshire, England, this piece dates to the Art Deco period, most likely circa 1930s, though a broader 1930s–1950s range remains possible without a confirmed pattern match, and bears a molded “BAGLEY” mark to the underside, indicating factory production rather than an individual maker.
Artist note: this is manufacturer-marked (Bagley) rather than individually signed. Bagley did commission notable designs (e.g., Alexander Hardie Williamson for specific registered patterns),
Dimensions & Weight
Height: 1 7/8 in (4.76 cm)
Diameter: 6 in (15.24 cm)
Base diameter: 4 in (10.16 cm)
Weight: 0.662 lb (approx. 300 g)
Condition
Reported excellent condition: no cracks and no visible scratches noted. Recommend stating: minor base wear consistent with age/handling (standard for pressed glass).
Authenticity & Construction
Pressed glass, moulded in relief (rose blossoms and foliage) with a matt/satin finish that Bagley produced in large runs alongside clear examples, often in pastel colours including rose pink.
This piece is factory-marked “BAGLEY” in the mould, consistent with authentic Bagley production.
Placement
Designed to function as both object and accent, it sits effectively on a lacquered console as a colour note against dark wood or stone, within a dressing-room vignette as a refined objet d’usage for jewelry or scent cards, or in a display cabinet alongside British interwar glass such as Bagley, Davidson, or Sowerby for a cohesive period-forward grouping
STANDARD ATTRIBUTION & VALUE DISCLOSURE; This piece is described to the best of current scholarly and market knowledge. Any maker or regional attribution is based on visual analysis, materials, construction techniques, and documented stylistic comparisons. As with many vintage and antique glass objects, definitive attribution may not be possible without original labels or factory records. Pricing reflects condition, quality, decorative appeal, and current collector demand rather than a guaranteed maker identification.
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